The CLA-3A combines solid-state circuitry’s fast attack with the gentle release of optical-based compression. A favorite on guitar, bass, and drums, the CLA-3A models the tight, punchy compression effect that played an important role in high-end studios of the 1970s.
Without the coloration of tubes, and only a slight hint of harmonic distortion, the CLA-3A handles high-level transients and pushes out punch—especially with midrange instruments.
Transparent sound quality, even with significant compression
Solid-state design responds superbly to transients
Choose Limiter mode to increase instrument sustain
Perfect for bass, overhead drum mics, keyboards, guitar
Modeled from studio legend Chris Lord-Alge’s personal favorite unit
Includes custom presets by Chris Lord-Alge
Mix control for easy parallel compression
For extra authenticity, optionally add subtle hiss and hum
Trim control for quick level adjustment
Zero latency for mixing both in the studio and live